luca marenzio compositions

Marenzio published a number of collections of madrigals for four, five or six voices and is of historical importance in the development of the Italian madrigal, imitated towards the end of the 16th century in England. to Lucatello), Super omnia ligna, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Tirsi mio, caro Tirsi, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), Tirsi morir volea, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Togli dolce ben mio, madrigal for 5 voices (Il terzo libro de madrigali a 5 voci), Tradent enim vos, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Tribus miraculis, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Tutto 'l dí piango e poi la notte, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Udite, lagrimosi spirti d'Averno, udite, madrigal for 5 voices (Il sesto libro de madrigali a 5 voci), Uscite, uscite ninfe, madrigal for 6 voices, Vaghi e lieti fanciulli, madrigal for 6 voices (Il secondo libro de madrigali a 6 voci), Il vago e bello Armillo, madrigal for 5 voices (Il nono libro de madrigali a 5 voci), Vedi le valli e i campi, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Veggo dolce mio bene, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Veni sponsa Christi, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Veni sponsa Christi, motet for 5 voices (Sacrae cantiones), Venuta era Madonna al mio languire, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Vergine gloriosa e lieta, madrigal for 5 voices (Madrigali spirituali a 5 voci), Vergine saggia e pura, madrigal for 5 voices (Madrigali spirituali a 5 voci), Vezzosi augelli in fra le verdi fronde, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Vienne Montan, mentre le nostre tormora, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Vita de la mia vita, madrigal for 6 voices (Il secondo libro de madrigali a 6 voci), Vivo in guerra, mendico e son dolente, madrigal for 5 voices (Il nono libro de madrigali a 5 voci), Vivrò dunque lontano, madrigal for 6 voices (Il quinto libro de madrigali a 6 voci), Zefiro torna, e 'l bel tempo rimena, madrigal for 4 voices (Madrigali...libro primo a 4 voci). Portrait of Luca Marenzio, an Italian composer A book of Luca Marenzio’s madrigals. Qty : Buy It Now. In Rome, the compositions of Luca Marenzio (1553–1599) were the madrigals that came closest to unifying the different styles of the time. He was one of the most renowned composers of madrigals, and wrote perhaps the finest examples of the form in its late stage of development, prior to … Musical composer, born in 1550 at Coccaglia, near Brescia; died at Rome 1599. The following 65 pages are in this category, out of 65 total. by William Finn Transcribed by Michael T. Barrett These articles are reprinted here with the kind permission of Kevin Knight, who has undertaken a project to transcribe an online version of the 1907 Catholic Encyclopedia. Biography. He was one of the most renowned composers of madrigals, and wrote perhaps the finest examples of the form in its late stage of development, prior to … Pre-baccalaureate Course A program for those who do not yet possess the pre-requisites necessary for an Undergraduate University Degree Program or a Master Program. Fortunately, the score of his opera Orfeo , printed in 1609, has come down to us, and is quite sufficient to indicate the inventive powers of a musician who broke away from the trammels of the older school and created a school of his own. Luca Marenzio, a prolific composer of madrigals during the late Renaissance period, died on this day in 1599 in the garden of the Villa Medici on Monte Pincio in Rome. With Text Language: Italian. Luca Marenzio (also Marentio) (October 18? Perspectives on Luca Marenzio's Secular Music, Paperback by Calcagno, Mauro, ISBN 250355332X, ISBN-13 9782503553320, Brand New, Free shipping in the US. Ballet C. Motet D. Lute song. Yet the relationship of the components to each other is manifold, intimate, and most natural. Come inanti de l'alba à 6 voix, 15812. Then the musician went to Rome, where he was employed by … In ... Luca Marenzio – I Libro a 5, 1580; Claudio Monteverdi – I Libro a 5, 1587; Giaches de Wert – I Libro a 5, 1558; Baroque madrigalists. Luca Marenzio (1553 -1599), en dépit de son existence relativement brève, peut être considéré comme le 'classique' du madrigal avant la révolution monteverdienne. His first collection was published… Luca Marenzio - Amatemi Ben MioChoir>SSA From that date until his death he produced numerous choral compositions, as also operas, cantatas, ballets, most of which cannot now be traced. Three Madrigals Luca Marenzio (1553-1599) Scendi dal paradiso (edited by Raymond Mase) Qual mormorio soave . Watch. Edited by John Steele. Published by Gaudia Music and Arts Publications (GA.GM3226). Starting from 1568, he served for 5 years to the Gonzaga family in the Duchy of Mantua. StudyQA - a search platform for BA, MA and PhD programs abroad. In Rome, the compositions of Luca Marenzio (1553–1599) were the madrigals that came closest to unifying the different styles of the time. Composed by Luca Marenzio (1553-1599). The Conservatory of Music "Luca Marenzio" of Brescia was founded in 1971 by former Musical Institute "A. Venturi, "by Law n. 663 of 8/8/77, the date of institution is determined by the same law to 1/10/71. Octavo. Madrigal. Luca Marenzio (also Marentio) (October 18? I'm preparing a modern edition of a lute tablature containing Vincenzo Galilei's arrangement of a madrigal "Fuggi speme mia fuggi" by Luca Marenzio. While Marenzio wrote some sacred music in the form of motets, and madrigali spirituali (madrigals based on religious texts), the vast majority of his work, and his enduring legacy, is his enormous output of madrigals. Luca Marenzio The Career of a Musician Between the Renaissance and the Counter-Reformation by Marco Bizzarini 9781138378162 (Paperback, 2018) Delivery US shipping is usually within 13 to 17 working days. Music. Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi. Whereas he played violin and wrote madrigal song by an honorable mention, Luca Marenzio of the pre Italian madrigal structure. The Conservatory of Music "Luca Marenzio" of Brescia was founded in 1971 by former Musical Institute "A. Venturi, "by Law n. 663 of 8/8/77, the date of institution is determined by the same law to 1/10/71. Product Information. Gia torna a rallegrar . Read Full Biography. Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance.He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in … While Marenzio wrote some sacred music in the form of masses, motets, and madrigali spirituali(madrigals based on religious texts), the vast majority of his work, and his enduring legacy, is his enormous output of madrigals. Italian composer Luca Marenzio (1553-1599) was the major figure in the Italian madrigal just before Monteverdi. Add to cart. World wide shipping "For 20 years we provide a free and legal service for free sheet music. Vocal Music. Luca Marenzio: Fuggi speme mia fuggi: Christian Mondrup: 5/19/02 3:20 PM: Dear all. 1553? The CD contains all the musical settings by Marenzio of texts from Battista Guarini’s pastoral comedy Il pastor fido. to Clinio), Lasso ch'io ardo e 'l mio bel sole ardente, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Lasso dicea perché venisti Amor, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Lasso non è cor mio ch'io ti rimiri, villanella for 3 voices (Il primo libro delle villanelle a 3 voci), Laudate Dominum, motet for 8 voices (also attrib. He also drew inspiration from Luca Marenzio, an Italian composer during the late Renaissance, who popularized the madrigal, a musical form that heavily utilizes secular vocal music such as part-songs in its composition. They vary enormously in style, technique and tone through the two decades of his composing career. Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. If you use and like Free-scores.com, thank you to consider support donation. Given the slow speed at which news travelled in those days, our convivial English drinking companions may not have known in 1600 that by then Luca Marenzio had died in Rome, an event that occurred on 22 August 1599, just over two months short of his probable 46th birthday. Buy sheet music books Marenzio, Luca. Madrigal. Octavo. Add to basket -> 527 p., 190 x 290 mm, 2014 ISBN: 978-2-503-55332-0 Languages: English Paperback The publication is available. Collection. Price: $1.00 Stream now on IDAGIO Luca Marenzio. John dowland. Son atti a inamorar'i monti e i fiumi, Non che l'alme viventi, Che fan l'amor coi vostri sguardi attenti. Luca Marenzio: The Complete Six Voice Madrigals Volume 5 — Luca Marenzio. With the same measure and with the same date is set up inside the middle school, which was still running the school year 1966/67, attached to the Institute drew musical "Venturi". About this product. • Switch back to classic skin, Alternative Names/Transliterations: Luca Marentio, Ahi dispietata morte, ahi crudel vita (Marenzio, Luca), Ahime ch’io peno et ardo (Marenzio, Luca), Ahimè, tal fu d'Amore e l'esca e l'amo (Marenzio, Luca), Al suon delle dolcissime parole (Marenzio, Luca), Amor i ho molti e molt’anni pianto (Marenzio, Luca), Antequam comedam suspiro (Marenzio, Luca), Apollo, s'ancor vive il bel desio (Marenzio, Luca), L'aura serena che fra verdi fronde (Marenzio, Luca), La bella Ninfa mia, ch’al Tebro infiora (Marenzio, Luca), Ben mi credetti già d'esser felice (Marenzio, Luca), Cantate, Ninfe leggiadrette e belle (Marenzio, Luca), Cantava la più vaga pastorella (Marenzio, Luca), Caro dolce mio ben chi mi vi toglie (Marenzio, Luca), Chi vuol udir i miei sospiri in rime (Marenzio, Luca), Chiaro segno Amor pose alle mie rime (Marenzio, Luca), Come fuggir per selva ombrosa (Marenzio, Luca), Come inanti de l'alba ruggiadosa (Marenzio, Luca), Così nel mio parlar voglio esser aspro (Marenzio, Luca), Cruda Amarilli che co ’l nom’ancora (Marenzio, Luca), Crudele acerba inesorabil’ morte (Marenzio, Luca), Danzava con maniere sopre humane (Marenzio, Luca), Degli occhi il dolce giro (Marenzio, Luca), Deh rinforzate il vostro largo pianto (Marenzio, Luca), Deh, vezzose del Tebro amate Ninfe (Marenzio, Luca), Dissi a l’amata mia lucida stella (Marenzio, Luca), Dolorosi martir, fieri tormenti (Marenzio, Luca), Dura legge d’amor ma benché obliqua (Marenzio, Luca), Ecco più che mai bella e vaga l'aura (Marenzio, Luca), Et respicientes viderunt revolutum lapidem (Marenzio, Luca), Fiere silvestre che per lati campi (Marenzio, Luca), Fillida mia più che i ligustri bianca (Marenzio, Luca), Già Febo il tuo splendor rendeva chiaro (Marenzio, Luca), Gia torna a rallegrar l'aria e la terra (Marenzio, Luca), Giovane Donna sott'un verde lauro (Marenzio, Luca), Hic est martinus electus (Marenzio, Luca), Hodie Christus natus est (Marenzio, Luca), Hor ch’esce fuor l’Aurora (Marenzio, Luca), I lieti amanti e la fanciulle tenere (Marenzio, Luca), I' piango; et ella il volto (Marenzio, Luca), Io son Amore pieno d'ardore (Marenzio, Luca), Itene à l’ombra de gli ameni faggi (Marenzio, Luca), Lasso ch'io ardo e'l mio bel sole ardente (Marenzio, Luca), Lasso, dicea, perche venisti Amore (Marenzio, Luca), Liquide perle Amor da gli occhi sparse (Marenzio, Luca), L’aura che ’l verde lauro e l’aureo crine (Marenzio, Luca), Madonna mia gentil, ringrazio Amore (Marenzio, Luca), Madonna poi ch'uccider mi volete (Marenzio, Luca), Madonna, sua mercé, pur una sera (Marenzio, Luca), Mentre fia caldo il sol, fredda la neve (Marenzio, Luca), Mentre l'aura spirò nel verde Lauro (Marenzio, Luca), Mentre sul far del giorno (Marenzio, Luca), Missa super iniquos odio habui (Marenzio, Luca), Nativitas gloriosae Virginis Mariae (Marenzio, Luca), Né fero sdegno mai, Donna (Marenzio, Luca), Nessun visse già mai più di me lieto (Marenzio, Luca), Non vidi mai dopo notturna pioggia (Marenzio, Luca), Nuova angioletta sovra l'ale accorte (Marenzio, Luca), O bella man che mi distringi il core (Marenzio, Luca), O disaventurosa acerba sorte (Marenzio, Luca), O quam gloriosum est regnum (Marenzio, Luca), O tu che fra le selve occulta vivi (Marenzio, Luca), O voi che sospirate a miglior note (Marenzio, Luca), Ohimè dov'è il mio ben, dov'è il mio core? Choral Sheet music › Choral SATTB a cappella › Luca Marenzio . Compositions (225) Compositions by: Marenzio, Luca. In all, Marenzio wrote around 500 madrigals, … Luca Marenzio fue uno de los grandes y más admirados polifonistas, maestro del género madrigalesco del cinquecento italiano.Nacido en 1553 en Coccaglio (Brescia) y muerto en Roma el 22 de agosto de 1599, inició sus estudios musicales posiblemente de la mano de Giovanni Contino, a la sazón maestro de la capilla musical de la catedral de Brescia. The Zuoz collection consists of both French psalm settings, and Italian Renaissance madrigals by Claudio Monteverdi (1567-1643) and Luca Marenzio (1554-1599). So auch die „Madrigali a cinque voci“ von Luca Marenzio, welche im Jahr 1632 durch die Erben von Pierre Phalèse (1510-1573) in Antwerpen gedruckt und verlegt wurden. Edited by John Steele & Suzanne Court. Marenzio, Luca: I-Catalogue Number I-Cat. See details - Luca Marenzio The Career of a Musician Between the Renaissance ... 9781138378162. Content is available under the Creative Commons Attribution-ShareAlike 4.0 License One of the foremost composers of madrigals in the era, Luca Marenzio saw his popularity soar in the Renaissance. ? SATTB choir — octavo — From Luca Marenzio Complete Five Voice Madrigals - GA.GM3206. Edited by John Steele & Suzanne Court. Renaissance Voices. Monteverdi’s influence altered the polyphonic music voicing to instrumental, unlike the evolutionary style from the 1570s . Find a suitable program or course, ask a counselor, get a scholarship and get admitted to the university or college of your choice! (Marenzio, Luca), Or vedi, Amor, che giovinetta donna (Marenzio, Luca), Partirò dunque, ohimè mi manca il core (Marenzio, Luca), Passando con pensier per un boschetto (Marenzio, Luca), Perché di pioggia il ciel non si distille (Marenzio, Luca), Poi ch'io non ho speranza (Marenzio, Luca), Potrò viver io più se senza luce (Marenzio, Luca), Qual vive Salamandra in fiamma ardente (Marenzio, Luca), Quando i vostri begli occhi un caro velo (Marenzio, Luca), Quando vostra beltà, vostro valore (Marenzio, Luca), Rimanti in pace, a la dolente e bella (Marenzio, Luca), Rivi, fontane e fiumi a l’aura al cielo (Marenzio, Luca), Rose bianche e vermiglie (Marenzio, Luca), Satiati Amor ch'a più doglioso amante (Marenzio, Luca), Se il dolce sguardo del divin (Marenzio, Luca), Se la mia fiamma ardente (Marenzio, Luca), Se quel dolor che va inanzi al morire (Marenzio, Luca), Spuntavan gia per far il mondo adorno (Marenzio, Luca), Stillò l'anima in pianto (Marenzio, Luca), Stride il lauro nel foco (Marenzio, Luca), Strider faceva le zampogne a l'aura (Marenzio, Luca), Strinse Amarilli il vago suo Fileno (Marenzio, Luca), Su'l carro della mente auriga siedi (Marenzio, Luca), Super flumina Babylonis a 12 (Marenzio, Luca), Ausgewählte Madrigale und mehrstimmige Gesänge (Squire, William Barclay), Canzonette alla Napolitana, Book 2 (Marenzio, Luca), 8 Canzonettes and Madrigals (Schmid II, Bernhard), A Collection of Catches, Canons and Glees (Warren, Thomas), Continuatio Cantionum sacrarum 4, 5, 6, 7, 8 et plurium vocum (Lindner, Friedrich), De floridi virtuosi d'Italia (Phalèse Jr., Pierre), Florilegii Musicii Portensis II (Bodenschatz, Erhard), Florilegium Portense I (Bodenschatz, Erhard), Gemma Musicalis, Liber 1 (Lindner, Friedrich), Gemma Musicalis, Liber 2 (Lindner, Friedrich), Ghirlanda di fioretti musicali (Verovio, Simone), Ghirlanda di madrigali a sei voci (Phalèse, Pierre), The Golden Age of the Madrigal (Einstein, Alfred), Intermedii et concerti (Vincenti, Giacomo), Madrigali a 5 voci, Libri 1-5 (Marenzio, Luca), Madrigali a 5 voci, Libro 1 (Marenzio, Luca), Madrigali a 5 voci, Libro 2 (Marenzio, Luca), Madrigali a 5 voci, Libro 3 (Marenzio, Luca), Madrigali a 5 voci, Libro 4 (Marenzio, Luca), Madrigali a 5 voci, Libro 5 (Marenzio, Luca), Madrigali a 5 voci, Libro 6 (Marenzio, Luca), Madrigali a 5 voci, Libro 7 (Marenzio, Luca), Madrigali a 5 voci, Libro 8 (Marenzio, Luca), Madrigali a 5 voci, Libro 9 (Marenzio, Luca), Madrigali a 6 voci, Libri 1-5 (Marenzio, Luca), Madrigali a 6 voci, Libro 1 (Marenzio, Luca), Madrigali a 6 voci, Libro 2 (Marenzio, Luca), Madrigali a 6 voci, Libro 5 (Marenzio, Luca), Madrigali spirituali, Libro 1 (Marenzio, Luca), Madrigaux et chansons de la Renaissance (Various), Motetti, madrigali et canzone francese (Bassano, Giovanni), Motettorum pro festis totius anni (Marenzio, Luca), Musica divina di XIX autori illustri (Phalèse Jr., Pierre), Musica tolta da i madrigali di Claudio Monteverde, e d'altri autori (Coppini, Aquilino), Musica Transalpina, Book 1 (Yonge, Nicholas), Musica Transalpina, Book 2 (Yonge, Nicholas), Nervi d'Orfeo (Van Haestens, Hendrik Lodewijcxszoon), Polyphonies vocales de la Renaissance en italien (Van Gilst, Daniel), Promptuarium musicum (Schadaeus, Abraham), Recueil des morceaux de musique ancienne (Ney, Joseph Napoléon), Sacrarum symphoniarum continuatio (Hassler, Caspar), Sammlung ausgezeichneter Kompositionen für die Kirche (Lück, Stephan), Selva di varia ricreatione (Vecchi, Orazio), http://imslp.org/index.php?title=Category:Marenzio,_Luca&oldid=2675455, Creative Commons Attribution-ShareAlike 4.0 License. August 22, 1599) was an Italian composer of the late Renaissance. If you use and like Free-scores.com, thank you to consider support donation. Luca Marenzio Last updated October 12, 2019. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. The length of the program varies, according to the individual needs of each student. Listen to Madrigali a 5 voci, Libro 3 by Luca Marenzio in stunning, lossless sound quality. 1553? The following 200 pages are in this category, out of 225 total. Perspectives on Luca Marenzio’s Secular Music M. Calcagno (ed.) Quia vidisti me, motet for 4 voices (Motectorum pro festis totius anni cum Communi … When Nicholas Yonge published Musica transalpina in 1588, it proved to be immensely popular, and the vogue for madrigal composition in England can be said to truly have started then. Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. Language: Italian Instruments: A cappella . Revered for his smoother, clearer compositions, his music was highly expressive, distinctive and in perfect sympathy with the written texts. Madrigal. He was one of the most prominent composers of madrigals. Sold by greatbookprices1 98.9% Positive feedback Contact seller. • Page visited 33,433 times • Powered by MediaWiki Add to cart. Erstens wurde in dieser Ausgabe Marenzios Madrigalen ein Generalbass hinzugefügt, zweitens ist es das bis heute einzig bekannte Exemplar dieser Ausgabe. Renaissance Voices. to Giovanelli and to Palestrina), Leggiadre ninfe e pastorelli amanti, madrigal for 6 voices (Il quinto libro de madrigali a 6 voci), Leggiadrissima eterna primavera, madrigal for 6 voices (Il quinto libro de madrigali a 6 voci), Levavi oculos, motet for 5 voices (Sacrae cantiones), Liquide perle Amor da gli occhi sparse, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Madonna mia gentil ringratio Amore, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Madonna sua mercè pur una sera, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Madrigals for 4 voices, Book 1 (Madrigali...libro primo a 4 voci), Madrigals for 5 voices, Book 6 (Il sesto libro de madrigali a 5 voci), Madrigals for 5 voices, Book 7 (Il settimo libro de madrigali a 5 voci), Madrigals for 5 voices, Book 9 (Il nono libro de madrigali a 5 voci), Madrigals for 6 voices, Book 4 (Il quarto libro de madrigali a 6 voci), Menando un giorno gl'agni presso un fiume, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Mentre l'aura spirò nel verde lauro, madrigal for 5 voices, Misit Rex, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Motets for all the feasts of the year, for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Nativitates gloriosae Virginis Mariae, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Ne fero sdegno mai donna mi mosse, madrigal for 6 voices (Il primo libro de madrigali a 6 voci), Nel dolce seno della bella Clori, madrigal for 6 voices (Il quinto libro de madrigali a 6 voci), Nel piu fiorito aprile, madrigal for 6 voices (Il primo libro de madrigali a 6 voci), Non al suo amante più Diana piacque, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Non fu mai cervo si veloce al corso, madrigal for 5 voices (Madrigali spirituali a 5 voci), Non vidi mai dopo notturna pioggioa, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Nova angeletta sovra l'ale accorta, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Nunc facta est salus, contrafactum for 10 voices (after madrigal "Basti fin qui le pene"), O beatum ponteficem, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), O bella man che mi distringi il core, madrigal for 4 voices (Madrigali...libro primo a 4 voci), O dolcezze amarissime d'Amore, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), O fere stelle homai datemi pace, madrigal for 6 voices (Il primo libro de madrigali a 4-6 voci), O fido, o caro Aminta, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), O figlie di Piero, madrigal for 18 voices, O mille volte mille, madrigal for 8 voices, O Mirtillo, Mirtillo anima mia, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), O quam gloriosum, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), O quam metuendus est, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), O Rex gloriae, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), O tu che fra le selve occulta vivi, madrigal for 8 voices (Il primo libro de madrigali a 5 voci), O verdi selv'o dolci fonti e rivi, madrigal for 6 voices (Il sesto libro de madrigali a 6 voci), O voi che sospirate a miglior note, madrigal for 5 voices (Il terzo libro de madrigali a 5 voci), Occhi dolci e soavi, villanella for 3 voices (Il quarto libro delle villanelle a 3 voci), Occhi lucenti e belli, madrigal for 5 voices (Il terzo libro de madrigali a 5 voci), Ohime, dov'è 'l mio ben, dov'è 'l mio core, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Ombrose e care selve, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), Ov'è condotto il mio amoroso stile, madrigal for 4 voices (Madrigali...primo libro a 4-6 voci), Padre del cielo, hor ch'atra nube il calle, madrigal for 5 voices (Madrigali spirituali a 5 voci), Partirò dunque, ohime mi manca il core, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Parto o non parto, madrigal for 5 voices (Il nono libro de madrigali a 5 voci), Passando con pensier per un boschetto, madrigal for 6 voices (after a 14th century caccia; Il secondo libro de madrigali a 6 voci), Per duo coralli ardenti, madrigal for 6 voices (Il primo libro de madrigali a 6 voci), Potrò viver io più se senza luce, madrigal for 6 voices (Il primo libro de madrigali a 6 voci), Princeps gloriosissime, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Qual mormorio soave, madrigal for 5 voices (Madrigali spirituali a 5 voci), Qual vive salamandra in fiamm'ardente, madrigal for 6 voices (Il primo libro de madrigali a 6 voci), Quando i vostri begl'occhi un caro velo, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Quasi vermiglia rosa, madrigal for 5 voices (Madrigali spirituali a 5 voci), Quell'augellin che canta, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), Questa di verd'herbette, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Questi vaghi concenti, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci), Qui di carne si sfama, madrigal for 12 voices, Quia vidisti me, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Rimanti in pace, madrigal for 5 voices (Il sesto libro de madrigali a 5 voci), Rivi fontane e fiumi a l'aur'al cielo, madrigal for 5 voices, Rose bianche e vermiglie, madrigal for 5 voices (Il terzo libro de madrigali a 5 voci), Le rose, fronde e fiori, villanella for 3 voices (Il primo libro delle villanelle a 3 voci), S'a veder voi non vengo alma mia luce, madrigal for 6 voices (Il quinto libro de madrigali a 6 voci), S'io parto, i' moro, e pur partir conviene, madrigal for 5 voices (Il sesto libro de madrigali a 5 voci), Sacrum coelesti nos Lumen, contrafactum for 9 voices (after madrigal "Donne, il celeste lume"), Salve Regina, for 5 voices (Sacrae cantiones), Sancta Maria, for 4 voices, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Satiati Amor ch'a più doglioso amante, madrigal for 6 voices (Il secondo libro de madrigali a 6 voci), Scaldava il sol di mezzo giorno l'arco, madrigal for 5 voices (Il terzo libro de madrigali a 5 voci), Scendi dal paradiso, madrigal for 5 voices (Il quarto libro de madrigali a 5 voci), Se 'l raggio de vostri occhi, madrigal for 4 voices, Se la mia vita da l'aspro tormento, madrigal for 4 voices (Il primo libro de madrigali a 4-6 voci), Se nelle voci nostre, madrigal for 12 voices, Se quel dolor che va inanzi al morire, madrigal for 6 voices (Il sesto libro de madrigali a 6 voci), Se sì alto pon gir mie stanche rime, madrigal for 5 voices (Il nono libro de madrigali a 5 voci), Se tu, dolce mio ben, mi saettasti, madrigal for 5 voices (L'ottavo libro de madrigali a 5 voci), Se voi sète cor mio, madrigal for 4 voices, Sento squarciar del vecchio Tempio 'l velo, madrigal for 5 voices (Madrigali spirituali a 5 voci), Senza il mio sole in tenebre e martiri, madrigal for 5 voices (Madrigali...primo libro a 4-6 voci), Si filius honorabilis mihi Ephraim, motet for 8 voices (in tablature as "Ist nicht Ephraim"), Signor, cui già fu pocho, madrigal for 5 voices (Madrigali spirituali a 5 voci), Similabo eum viro sapienti, motet for 4 voices (Motectorum pro festis totius anni cum Communi Sanctorum), Sola angioletta starsi in treccie a l'ombra, madrigal for 5 voices (Il quinto libro de madrigali a 5 voci), Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci), Spiri dolce Favonio Arabi odori, madrigal for 6 voices (wedding sonnet; Il quinto libro de madrigali a 6 voci), Spuntavan già per far il mondo adorno, madrigal for 5 voices (Il primo libro de madrigali a 5 voci), Strider faceva le zampogne a l'aura, for 5 voices (Il secondo libro de madrigali a 5 voci), Su 'l carro de la mente auriga siedi, madrigal for 4 voices (Madrigali...libro primo a 4 voci), Super Flumina Babylonis, motet for 12 (or 8) voices (also partially attrib. 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